Midas Mixers

Midas has been designing and manufacturing live performance audio mixing consoles for the world’s most demanding sound engineers, performers and production rental companies since the early 1970s. Raising the standards of sonic quality through research and development and the design and implementation of control functionality and user-friendly desk operation to accommodate the expanding needs of audio professionals who specify Midas consoles for their major tours, festivals, international events, broadcast projects and prestigious fixed installations.

Midas Venice 320 32-Channel Analog Mixer
The Midas Venice 320 Analog Mixing Console sets a new standard in compact mixing consoles. Venice is Midas’ first truly compact console built in direct response to customer demand. And the Venice 320 does exactly what was asked in that it provides a high quality alternative in a huge number of applications where previously Midas was not an option. These range from smaller conference or live band applications, to effects returns or additional inputs in a large multi-console application, or as part of a small complete mobile system. It also provides the perfect feature set for live acts who need to mix their own FOH and monitor sound from on-stage, and is compact and light enough to fit on even the most cramped performance area.Midas has paid attention to the details that set their consoles apart taking care to provide high quality mic preamps and a stable, responsive EQ section, just as they do on their larger consoles. The simple but intuitive outputs make the overall configuration of the console extremely quick and easy to use.

Midas Venice 240 24-Channel Analog Mixer
Midas Venice 240 Analogue Mixing Console sets new standard in compact mixing consoles. Legendary Midas Sound The overall sonic performance of any console can only be as good as the incoming signal interfaces, namely the microphone pre-amplifier. Midas consoles always incorporate the very best microphone pre-amps available. Venice uses an updated version of the ground-breaking Midas XL3 microphone pre-amp, which uses Midas own “long-tailed pair” circuitry. This means that the Venice pre-amp has ample headroom and gain range to accept both microphone and line-level signals without any pad or range switching. Frequency response and distortion (a ‘hot’ issue) To retain the natural qualities of many different sorts of input signals, a console must be able to handle incoming signals across a very wide frequency range with lowest possible distortion.

Midas Venice 160 16 Channel Analog Mixer
Midas Venice 160 Analog Mixing Console sets a new standard in compact mixing consoles. The maximum input capability of Venice is +22dBu, enabling the console to deal with even the hottest line signals within a 15Hz- to 100kHz- frequency range. High-value EMI suppression filters shelter the signal-path from unwanted external noise, one of the fundamental Midas design specialities. Venice EQ Pure Performance Leading audio professionals all over the world confirm: it’s not the number of pots that make an EQ section, it’s the audible result, the ability to accurately control and fine-tune audio signals in the most musical way possible. Great EQ also provides the creative processing power to create personalized soundscapes without any unwanted side-effects. For instance, this means that the HF and LF filters won’t interfere with the mid-band frequencies: All filters keep their gain regardless of frequency settings, and +/-15dB on a gain potentiometer means exactly what it says. The Venice EQ is what thousands of Midas owners and users expect from Midas products: pure performance. Highest Quality Components The world-class audio performance expected of a Midas can only be achieved by using first-class components with minimized tolerances.

(No Ratings Yet)

 Loading ...