Founded in 1973, Soundcraft first made its mark with the launch of the Series 1, the first mixing console in a flightcase. From what was then a small company in central London, Soundcraft expanded and started to diversify. The company designed a mixer for recording - the Series 2 - and began to build a reputation for great-sounding desks, which is often referred to as the favoured ‘British Sound’. Design and innovation has always been one of Soundcraft’s major strengths. It now boasts a range of mixers which are designed for use in live sound, recording, post-production, TV and radio production and club applications.

Soundcraft GB4-40 40-Channel Live Sound Mixing Console
The GB4 console sets a new standard in affordable high-end mixing. It is laden with capabilities and quality features: GB30 mic preamps, reengineered circuit topology and EQ designs, rigid steel chassis, high-quality vertically mounted fiberglass PCB channel strips, individually nutted potentiometers, angled rear panel that allows patching from the front, and more above all, the quality, engineering, and design for which Soundcraft is famous. The GB4-40 is 40-channel, 4-bus console designed and constructed to ensure rugged reliability under stressful tour conditions. All input modules have individual vertically-mounted PCB’s fitted to the steel chassis.It is designed for performance venue installation or small touring system applications. The dual-mode topology allows it to to be used for FOH or monitor duties, with fader control of group or aux outputs.Although largely conventional in layout, the GB4 does have some unique mechanical features. The rugged steel chassis has a sloping rear connector panel so that it is easier to configure from in front of the desk, while the integral power supply has a link option for an external backup PSU.4 mute groups allow several channels to be muted simultaneously. Another unique feature is the limiter on a set of dedicated record outputs that makes it easier to create a stereo recording of the mix.The console also features an output matrix with 7 feeds to 4 outputs, fed from the group buses and main L, R, and C (mono) outputs.The GB4 offers a comprehensive set of functions in a small and cost-effective footprint, and delivers the high performance and reliability you expect from a Soundcraft product.

Soundcraft GB4-24 Mixing Console
The GB4-24 is 24-channel, 4-bus console designed and constructed to ensure rugged reliability under stressful tour conditions. All input modules have individual vertically-mounted PCB’s fitted to the steel chassis.It is designed for performance venue installation or small touring system applications. The dual-mode topology allows it to to be used for FOH or monitor duties, with fader control of group or aux outputs.Although largely conventional in layout, the GB4 does have some unique mechanical features. The rugged steel chassis has a sloping rear connector panel so that it is easier to configure from in front of the desk, while the integral power supply has a link option for an external backup PSU.4 mute groups allow several channels to be muted simultaneously. Another unique feature is the limiter on a set of dedicated record outputs that makes it easier to create a stereo recording of the mix.The console also features an output matrix with 7 feeds to 4 outputs, fed from the group buses and main L, R, and C (mono) outputs.

Soundcraft LX7ii 24-Channel Mixer
The stylish new desk gets its looks from the highly successful and popular MH3 and MH4 touring sound consoles, and includes a new frame, module ID graphics and end-cheeks, making the LX7ii not only easy to use but creating a system that will be the envy of professionals everywhere. Electronically, the LX7ii gains a new Soundcraft mic-preamp and EQ section, both designed by Soundcraft founder and electronics wizard Graham Blyth. The new 4-band EQ with swept mid sections is based on the highly acclaimed EQ in the new MH3 and MH4 touring consoles. The GB30 mic preamps on the LX7ii possess much of the quality and precision of the mic preamps used on Soundcraft’s biggest touring desk, while still being cost sensitive.The GB30 EQ gives a steeper than usual slope on the fixed LF and HF sections, removing unwanted mid-frequency “mush” and delivering a clearer sound. It is a cost-effective design that brings high-end equalization into an affordable mixing console for the first time.Other standard features of the Soundcraft LX7ii include 24 inputs, 4 stereo inputs/returns with 4 groups, main stereo output and a dedicated mono output for center clusters. There are direct outputs on the first 16 inputs suitable for multitrack recording, and 6 auxes providing flexibility for effects and foldback. The LX7ii mixes to 7 outputs 4 subgroups, plus the main Left, Right and Center (Mono) mix outputs. The music mixer continues the tradition of the highly successful original LX7 in its applications in live performance PA, installed systems in churches, theaters and any similar application where a compact-sized console needs to provide a large number of inputs and maximum output capability. Both recording and live applications are easily satisfied.

Soundcraft M Series M12 20-Channel Mixer
If you think inexpensive always means cheap, think again. This compact mixer sports dozens of features that are smarter without being pricier. And Spirit never cuts corners where it matters. Full 100mm faders for smooth precision control, pro-grade connectors, special grounding features to eliminate crosstalk, and high-end mic preamps combine to rival the signal integrity of very expensive mixers. Radically sharp-looking metal rack-rail covers provide extra support. 12 mono input channels plus 4 stereo inputs and 4 stereo returns with level control and peak LED. Master gain on AUX inputs. Switchable direct outs, balanced XLRs and 1/4″ jacks plus signal detect and peak LEDs on all inputs, with 12-segment LEDs on the main stereo mix. Logical, intuitive, roomy layout and monitoring flexibility. A/D converter and digital out. All this and much, much more ensure pro performance for stage or studio.

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In addition to their innovative DJ products, Numark is now offering tools for the VJ or live video performer. With the increasing popularity of the “Video Jockey”, the need for video tools that function much like DJ gear becomes apparent. Numark fills that need with video mixers, video displays, and DVD players that have an extra element of control that professionals demand.

Numark AVM02 Audio/Video Mixer with Effects
Great for mobile and club DJs who work with sound and video, the rackmountable Numark AVM02 Audio/Video Mixer with Effects features separate replaceable crossfaders, a variety of video mixing options, 2 video effects sections, joystick control, multiple color background options, plus PAL and NTSC compatibility-all in an attractive, easy-to-grasp layout. The AVM02’s seperate replaceable crossfaders for audio and video feature slope control and allow you to transition from song to song without affecting the visuals or, with linked mode operation, transition sound and pictures together. The AVM02 includes a broad range of mixing options including fades, 96 wipe patterns, plus picture-in-picture (PIP) capability. And for superimposing images, the AVM02 provides Chroma Key (blue screen) and Luma Key (black screen) capability. Also features 2 video effects sections with mosaic, strobe, freeze, paint, and invert. Additionally, the AVM02 is capable of multiple simultaneous effects. This easy-to-use mixer incorporates joystick control for wipes and picture-in-picture operations and also provides 10 background color options.The AVM02 has 4 video channels with 4 composite and 4 S-video inputs. The mixer’s output complement includes 2 S-video, 2 composite main outputs, and 4 video monitor outputs. For audio related tasks, the AVM02 includes 7 stereo audio inputs, 2 microphone inputs with an audio cueing section, plus both 1/4″ and 1/8″ headphone outputs. Additionally, the AVM02 provides master balanced, unbalanced, and control booth outputs. Includes a universal power supply.

Numark VM03MKII 3-Screen Video Display
Designed with Numark’s “users first” philosophy in mind, the VM03MKII expands on its popular predecessor, the Numark VM03, by increasing each video screen’s size from 5″ to 5.6″; improving the tilt-adjustment feature for an even better viewing angle; and adding adjustable on-screen brightness, color, contrast, tint and sharpness controls for each of the three monitors.The VM03MKII is a three-screen / six-input LCD video display monitor designed for any video monitoring application. With its uniquely designed display, video producers, engineers, DJs and VJs can position the viewing angle of the unit up to 96 degrees. This is ideal for both DJ and broadcast situations, where limited space may prohibit easy viewing.The VM03MKII allows users to preview and view video sources on rugged, high-quality monitors that can be configured either as a rack mount (occupying three rack spaces) or as a tabletop unit.The VM03MKII features three 5.6-inch diagonal color TFT-LCD screens, each with two composite video inputs and a built-in video switch to allow monitoring of up to six video sources. With its pass-through output, the VM03MKII allows daisy-chaining to another video input device.

Numark AVM01 Audio Video Mixer
If you’ve had trouble integrating video into your audio setup, check this out: the AVM01 incorporates audio and video mixing for unparalleled convenience, plus it has built-in video effects. This professional performance mixer features separate crossfaders for audio and video so you can control each individually. Video mixing options include fades, 96 wipe patterns, picture-in-picture (PIP), 10 background color options, and Chroma Key (blue screen) and Luma key (black screen) capability for superimposing images. Wipes and PIP feature joystick control. 2 video effect sections with mosaic, strobe, freeze, paint, and invert (multiple simultaneous effects possible). 4 video channels with 2 composite and 2 S-video inputs. 2 S-video, 2 composite main outputs, and 4 video monitor outputs. 3 stereo audio inputs and one mic input with audio cueing section and headphone output, plus 2 stereo main audio outputs. Rackmountable rugged metal enclosure with removable rack ears for tabletop use. Universal power supply.

Numark VJ01 Tabletop DVD/CD/MP3 Player with Tilt Screen
The brilliant 5.6″ TFT LCD tilt screen display lets you easily monitor your visual content and with support for DVDs, MP3s, and CDs, the Numark VJ01 tabletop player makes it easy to incorporate visuals into your mix. Its compact tabletop design and front-loading disc tray makes it easy to fit the VJ01 anywhere. The VJ01 provides a wealth of knobs, buttons, and sliders to facilitate fast, intuitive operation, so you can easily set cue points, adjust tempo, looping, and other playback functions. With pitch bend buttons and a pitch slider, the VJ01 makes it a breeze to control pitch for both audio and video. The VJ01 also has a full set of soft touch rubber transport controls as well as dedicated navigation buttons for rapid access to the unit’s operating parameters. There are also display function buttons for working with visual content and dedicated playback function buttons that facilitate fast, effortless control during performance.With Numark’s VJ01, you won’t have to focus elsewhere to monitor your visuals and risk being distracted from the music. The 5.6″ LCD TFT tilt screen display lets you see exactly what visuals are being displayed. The VJ01 provides full DVD menu control, supports all standard DVD features, and includes non-seamless looping for repeating video clips. The VJ01 effects arsenal includes zoom, angle, slow motion, and pitch. PAL and NTSC compatible, the unit provides S-Video and RCA composite video outputs for connection to external display equipment. Audio outputs include stereo RCA and S/PDIF.Numark’s VJ01 plays a wealth of disc formats. Video formats include DVD, DVD-R, DVD+R, VCD, and SVCD. Supported audio formats include CD, CD-R, CD-RW, MP3DVD, and MP3CD.

Numark NuVJ Video Mixer for DJs
The NuVJ video controller from Numark works with ArKaos custom software and is designed to manipulate videos much the same way DJs mix music. The software package includes its own library of video clips and more than 30 real time video effects, or input your own images from an external movie camera or video source. Then, use the DJ-style set up to prepare your own ambient video show, use the crossfader to mix videos and visual effects on-the-fly for a more mind-blowing display, or leave it on automatic for a synchronized, preset compilation that coordinates with the music.The intuitive NuVJ mixer is easier, more versatile and more affordable than any other VJ product on the market. While other equipment relies on hardware to mix video, the NuVJ software developed by ArKaos uses the power of graphic cards present in every computer. It seamlessly integrates software and hardware for a professional quality, hassle-free performance.The big wheel controllers allow the DJ or VJ to easily trigger high-resolution images and video clips, add effects to them, toggle the speed, or mix them through an onboard DJ-style crossfader, tweaking them in order to create unique and spectacular shows. The hardware controller works fluidly with existing DJ gear and the software is compatible with most computers and laptops. The NuVJ Video Controller is the ideal tool for DJs or VJs in search of their first video setup who want to show off their audio and visual skills.

Trident Audio is a name that is associated with the Great British success of console design and sound throughout the world. Trident’s success in America, with such classics as the Series 80 and the TSM consoles, was earned before the likes of SSL had hit their shores. England, today, still leads the world in music recording consoles and Trident were one of the very first. From the design house of John Oram, these versatile channel strips and mixers deliver that seriously warm analogue tone that recent day products seem never to get close to.

Trident S100 8-Channel Mixer
The S100 boasts a warm and musical sound with straightforward layout and spotless construction as well as classic Trident EQ from John Oram and a smooth, pure-analog signal path. It’s perfect for any digitally processed audio path. It packs 8 mic/line inputs, 3 stereo buses, 8 phantom powered mic preamps, and direct outs on each channel into a 9-space, all-steel rackmount unit. Each channel features an XLR mic/line input, TRS line input, an unbalanced RCA line input, a 1/4″ send/receive insert, and a 1/4″ direct output. Separate knobs control the level for each input, and there are switches for mic/line select, 48V phantom power, and phase reverse, plus a peak LED. The mic pre provides +50dB of gain.The EQ section provides a sweepable low-cut filter, a fixed high-frequency shelf, a sweepable mid EQ, a fixed low-frequency shelf, and a switched high-cut filter. Each channel also features 3 post-fader and 2 prefader auxiliary sends, a stereo pan knob, 3 stereo bus assign switches, a solo switch (with LED indicator), and a large rotary fader.The master section features a 9-LED level meter and main stereo bus level while the 2 aux stereo busses each have level, solo, and assign controls. The 3 stereo returns each have level controls. The master section I/O, except a headphone jack, are male 1/4″ connections on a break-out cable.A D-sub connection allows up to 20 S100s to be linked together.

Trident S80 Producer Box Stereo Channel Strip
The S80 Channel Strip is a standalone classic-sounding reproduction of 2 Trident Series 80 input channels, with the addition of a 48V phantom power switch, and balanced inserts. The renowned “British EQ” sound derives from the very musical 4-band EQ section with 2 swept mids plus switchable hi and low shelves. Low cut, EQ bypass, mic and line inputs with individual volume controls. Each channel has direct balanced XLR outputs. Left and right XLR bus output via pan and mute controls, with 100mm faders. External power supply for extra low noise. The S80 2 channel mic preamp makes the centerpiece of a powerful mobile studio when combined with a couple of good microphones and a quality recording unit. Cabinet finished in English ash.

Trident S40 Classic British Channel Strip
The Trident S40 Classic British Channel Strip is a single-channel microphone and instrument preamplifier, compressor/limiter and equalizer in a 2-space rackmount case. It’s got the characteristic red and green aluminum knobs that users of original Trident consoles will recognize. All circuits are Class A and the the most modern components were used where noise is a concern, and original TL070s were employed where the classic Trident sound needed to be retained. The input section includes a transformerless mic preamp and a Hi-Z instrument input. Front panel controls are a 48V phantom power switch, phase reverse switch, stepped input knob, and microphone preamp. The mic pre is the same one used in the Oram pro range gear and the new Trident Series 80 5.1 console. The dynamics section includes attack, release, ratio and threshold knobs plus a pre/post-EQ switch (default is post-EQ) and bypass switch. The compressor does not affect the signal path as long as the signal is below threshold.The EQ section combines a classic 4-band shelving/peaking EQ section with low and high-cut filters. The 4-band section features ±15 dB high and low shelves with switchable knee frequencies of 7 kHz/12 kHz and 50 Hz/150 Hz respectively. In the middle are 2 ±15 dB sweepable bands with ranges from 150 Hz to 2 kHz and 1.5 to 15 kHz. Mid-band Q is one half octave and the shelves are 4 dB per octave. All boost/cut knobs are center-detented and the EQ section can be bypassed.The output section features a center-detented output gain with a range of ±15 dB. A classy vintage VU meter can monitor either gain reduction of output level.

Trident 4T Celebration Channel Strip
This single rackspace unit loaded with Trident and Oram design excellence features a superb mic pre, pristine dynamics handling, and facilities for stereo reproduction. Equipped with EQ Magic, a musical shelving equalizer that boosts or cuts 100Hz and 10kHz simultaneously with a single control. The 3-band EQ and compressor/limiter circuits offer precision tweakability. Great for live gigs, it has an input for your guitar or synth, an XLR mic input for your vocals, and the ability to mix these 2 signals along with a stereo backing track coming into the rear-panel line level inputs. For home recording, use the stereo input for monitoring your DAW’s soundcard output.

Trident S20 Dual Mic Preamp
The Trident S20 Dual Mic Preamp has an input selector that switches between mic and line or 2 mics, a great feature for instantly comparing which mic is really the best for a particular job. Switch reverses the phase of the input signal. 48V phantom power for condenser mics. Gain swing ranges from a true unity to +60dB without any pad. Variable-sweep, low-cut filter controls lows from 5Hz-200Hz that can muddy a mike. It removes stage and floor rumble, takes out subsonic interference, and improves the HF performance of the signal by the elimination of LF intermodulation distortions.

Numark is obsessed with designing equipment that meets the individual need of every DJ. That’s why the sound of Numark has been present in scratches, breaks, and beats for more than 30 years. Whether it’s basic tools or the most advanced gear for DJ professionals, their equipment is designed and engineered to stand up to the demands and needs of the performing DJ.

Numark 5000FX 12″ 5-Channel Tabletop Mixer with Sampling, Looping, and FX
The 5000FX is Numark’s 5-channel tabletop mixer with sampling, scratching, and effects. The 5000FX is equipped with a scratch/effect/pitch wheel and memory buffer so you can scratch live audio as well as loops and samples. Get creative with 30 seconds of high-quality sampling with pitch adjustment and digital effects like echo, chop, delay, isolate/kill/vocal kill, sonar, filter, key change, vocoder, and distortion. 5000FX also features Beatkeeper technology that automatically syncs loops and tracks the beats of 2 songs to tell you how to adjust the mix for perfect beat alignment. Create a perfect loop with the Beatkeeper by tapping the loop button close to where you want the loop to occur-the processor does the rest to make a perfect loop every time.Additional 5000FX features include dual BPM meters, fader start, and a replaceable crossfader with adjustable slope. 3 phono, 9 line (3 switchable to phono), and 2 mic inputs-including a top-mounted Neutrik jack. Outputs include XLR balanced and RCA unbalanced master, zone, booth, record, and S/PDIF digital.

Numark DXM09 Digital DJ Mixer
A 10″ tabletop 3-channel design with 24-bit digital technology for the lowest possible noise floor. Replaceable assignable digital crossfader and rotary slope control, built-in limiting to prevent clipping and ensure clean output, and 3-band EQ with frequency kill. Features 3 phono inputs (with defeat switch), 5 line inputs, and 2 mic inputs with EQ. RCA record, booth, and balanced 1/4″ outputs with peak limiting on headphone and master outputs. The effects section gives you 12 effects with control over beat sync, rate, and mix intensity. Cuts and fades are customizable with full slope control.

Numark CM100 Club Series DJ Mixer
The Numark CM100 Club Series DJ Mixer has eight line, 3 phono, and 2 mic inputs; fader-start; all active long-life ALPs input faders; plus master balanced, zone, cue, and record output make this a phenomenally versatile mixer for club and rave formats. Split/blend cue option, PFL gain adjust with meter; 6 or 12dB 5-band graphic EQ with rear panel defeat; and mic with auto-mute and individual EQ panning on master crossfader.

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Allen & Heath makes audio mixing consoles that meet the top 4 requirements for pleasing the most demanding engineers: great sound, high quality, ease of use, and lots of really useful features. These popular British mixers are useful for both live sound and recording applications.

Allen & Heath GL2400-32 Live Console
The dual-function Allen & Heath 32-channel GL2400-32 Live Console is loaded to the teeth with the features you need for all kinds of mixing applications. It offers 4 group, 6 aux, and LR mixes, enhanced 7×4 matrix, multi-source stereo channels, and aux-fed subs capability. Dual Functionality:When mixing front-of-house, the monitors can be set pre-insert as well as pre-EQ to prevent your house mix EQ and compression affecting the stage mix. Per channel aux switching means you can mix pre-fade with post-fade sends such as theatre radio mics and sound effects. As a monitor console, the aux masters have faders, inserts, mutes, meters and balanced XLR drive. You even get a fader controlled engineer’ wedge feed with Allen & Heath’s GL2400-32 mixer. The Groups and LR mixes are still available to create yet more sends. In monitor mode the GL2400 can provide up to 10 mixes, for example 6 wedge and 2 stereo IEM.Performance:Allen & Heath’s new mic preamp has an extended 74dB gain range with massive headroom able to deal with the widest range of signals right up to +34dBu. From a new low-noise mix amp through responsive 4-band EQ to the differential balanced +26dBu outputs, every stage has been carefully designed to ensure optimum gain structure and the best sonic performance possible.Third Fader:There are 3 master faders on the GL2400 mixing console. A configurable M fader lets you create an LR sum mono fill, an engineers monitor wedge feed, or a dedicated center or sub-bass speaker mix from Aux 6 which means you can dial in exactly what you need from each channel. L, R, and M each provide a dedicated meter, mute, AFL, and balanced XLR output.7×4 Matrix: The matrix is a big feature for corporate AV work, specialized recording and broadcast feeds, and personal monitoring. Smart auto-switching of the external inputs lets you add a common mono, stereo, or independent source to the matrix. Cross patch from the stereo channel mic breakpoints to add room ambience to your recording and IEM feeds.Dual Stereo Channels:These 2 multi-function channels provide a mic and 2 stereo line inputs each. Use the channels as mic inputs while the 4 stereos are independently routed to LR, or combine stereo sources such as backing tracks and reverbs while the mics are patched elsewhere. Or use conventional stereo channels while the second inputs provide additional returns and the mics patch into the matrix for ambience.

Allen & Heath MixWizard WZ3 14:4:2+ Mixer
The Allen & Heath MixWizard WZ3 14:4:2+ Mixer - The Allen & Heath WZ3 is a 4 audio-group mixer that’s ideal for live sound applications. You’ll appreciate the improved EQ and preamp design, individual phantom power switches, channel meters, and the 2-output matrix. 10 mono channels and 2 stereo channels offer dual functionality for front of house and monitoring, 4-band EQ, phantom power, 6 aux sends, On switch with LED, and 100mm smooth-action faders, plus direct out and inserts.Dual functionalityGRP/Aux mode switches reverse aux master section with the group and LR faders, providing up to 6 monitor sends with inserts on 100mm faders. Another under-panel switch converts the Mono control and XLR out to an engineer’s listen wedge output.Mono inputs10 mic/line channels with switchable 4-band EQ, HPF, individual phantom power, 6 auxes, ON switch with LED, and 100mm smooth action fader. A direct out and insert using all-metal TRS jacks are provided.Dual stereo channelsThe MixWizard WZ3 14:4:2 has 2 dual stereo input channels as standard. ST1/3 and ST2/4 jacks have separate gain controls and ON switch. Each stereo channel has a 4-band EQ.4 audio groupsAssigned from paired routing buttons and pan from channels. Groups access L/R busses via a pan control and on switch. Groups have XLR outputs, 3-color meters, and inserts in GRP mode.6 auxiliary sends6 auxiliaries, 1, 2 prefade (option: link to follow pre/post switch), 3-4 switchable pre/post fade (option: permanently prefade) and 5 and 6 switchable pre/post. Aux masters are rotary controls with AFL and can feed XLR outputs with inserts when the GRP/Aux reverse switches are pressed.4-Band EQ plus HPFSeparate controls for sweep and cut/boost on mid bands. HPF @ 100Hz is switchable.MatrixThe Allen & Heath WZ3 14:4:2 is supplied with a 2-output matrix on TRS jack as standard feed from groups 1 to 4 and L/R.Engineer’s toolboxHeadphone and wedge monitor controls. PFL/AFL on all sections with LED indicators. Peak and signal LED on all channels. 4-segment, 3-color LED meters on GRP/Aux. 12-segment bar meter on L & R follows the PAFL system. Channels have TRS direct outs for recording. 2-track record/monitoring/replay. Talkback with trim to all auxes, groups, and LR. Oscillator and pink noise generator are provided for line-up.PSUHigh performance internal switched-mode power supply. A backup power supply connector is provided with your MixWizard WZ3 Mixer.

Allen & Heath PA28 Mixer
The Allen & Heath PA28 Mixer gives you all the tools you need to run a stereo PA system in a straightforward plug-and-play format. You’ll quickly feel at home with a number of innovative touches based on many years of real-world experience. High-quality construction features on the PA28 Mixer include the same individual vertical circuit boards, nutted pots, and solid copper bus connections as the acclaimed ML series consoles. Experience the full, open, natural sound quality that has made Allen & Heath a respected name around the world.24 mono channels with mic (XLR) and line (TRS) inputs (line input overrides the XLR input), individual +48V phantom power switches, and new padless 2-stage preamp with smooth gain law provide pristine sound quality. Line input goes to second stage for better matching and performance. Switched 100Hz high-pass filter, insert point, 4-band EQ, 4 aux mixes, mute with LED, PFL button with LED (functions as peak indicator), plus 100mm fader on every channel.Shelving LF (60Hz), and HF (12kHz) with fixed LM (250Hz), and swept HM (300Hz - 6kHz). The fixed 250Hz control on the Allen & Heath PA28 has been carefully selected to provide reduction of muddy sounds and enhance warmth.4 stereo channels with 2 unbalanced stereo inputs on each-one RCA and one TRS jack. Independent gain controls provide source mixing in the channel strip.

Allen & Heath ZED-14 USB Mixing Console
The Allen & Heath ZED-14 USB Mixing Console has incredibly advanced features for a mixer at this level it has 13 independent sources to the mix, 10 independent outputs, 4 aux sends, a USB send & return for PC or Mac recording, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, ZED-14 is so packed full of great features that you’d think it would cost much, much more!The ZED-14 is a mixer for anyone, from entry-level to professionals, who appreciates fantastic uncolored sound, lots of headroom, a truly professional feel, and rugged build quality. It can be used for many different tasks, whether in live performance, utilizing plug-in effects via USB, live recording via USB and Cakewalk, studio recording or mixing down to produce your own 2-track recordings. Inputs One of the great things about the ZED series is the number and variety of things you can plug in. In addition to the six mono channels there are four stereo channels, each with a main stereo input on jack sockets, and with the ability to take additional stereo inputs from phono sockets or from the USB audio input, flexibility gives you control. In all, ZED-14 boasts 99 different controls on its front panel - way more than any of the competition! 6 mic/line channels are provided on ZED-14 - plenty for mics or DI boxes for a small band, duo or solo performer 4 stereo line inputs - dual inputs, both with gain and 2-band EQDuoPre Based on the proven pre-amps from the hugely successful PA series, the ZED series has new DuoPreTM pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input.EQ section ZED-14 features a responsive 3-band, swept mid frequency design with MusiQ - optimised slope (or Q factor) for equalising individual instruments. HF and LF also boast Xtra Boost, to make these frequencies more responsive. Auxiliary sends 4 aux sends are provided, of which 1&2 are prefade for foldback monitoring, and 3 & 4 post-fade for effects sends. A stereo signal can be sent from auxes via USB to computer to create 2 separate record feeds independent of the main LR mix (1&2) and or used as FX sends (3&4).USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way we have implemented this on ZED is super-flexible and super-easy!

Allen & Heath Xone:92 Fader DJ Mixer
Amazing synth capabilities from 2 VCF filters and 2 independent LFOs. 6 stereo channels (4 phono or line, 2 mono/mic or stereo return); 2 auxiliary sends selectable pre/post fader (and cros