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VirSyn is a German company that provides award-winning virtual instruments and software for the music industry. Their unique Cantor singing software synthesizer, Tera modular software synthesizer, and the Cube tool for sound designers are unique contributions to the virtual instrument world. You can visit the VirSyn Forums here to learn more about their software synthesizers. Check out these virtual synthesizers for musicians who dare to be different.
VirSyn CANTOR 2.1 The Vocal Machine Software
VirSyn CANTOR 2.1 singing software synthesizer lets you type your lyrics into the software and then sing them instantly by playing the melody on a MIDI controller! Add realistic expression with realtime parameters including vibrato rate and depth as well as female and male singing voices!The human voice is the most sophisticated and versatile instrument used in musical expression. Virsyn’s vocal synthesis technology VOSE (Vocal Simulation Engine) has achieved a vast improvement in sound quality and intelligibility. The range of voice characters is virtually unlimited: it goes from robotic voice characters to highly expressive and nearly realistic sounding voices.The completely reworked score editor makes it easy and fast to edit the most important sound parameters which give you access to the finest detail of spelling and expression of the vocal line. All editing can be done in realtime: What you hear is what you get.The new MIDI import feature makes it possible to use pitchbend and expression information. This opens up entirely new applications: if you take, for example, an analyzing program like Melodyne from Celemony you can take a “real” vocal part and analyze it. After importing you can use this vocal line and combine it with a new voice made by CANTOR! More than 20 ready to use voices in German and American pronunciation are part of the VirSyn CANTOR 2. Extensive possibilities for phoneme and voice editing makes it easy to create your own individual voice characters even creating “new” languages is in your reach! CANTOR 2 is available as a stand alone music software program and as host plugin (VST2.4, RTAS, AudioUnit ) for the platforms Windows XP and Mac OS X. The Mac version is delivered as Universal Binary for Intel-based Mac compatibility.
VirSyn Cantor Virtual Vocalist
Version 1.6 of CANTOR has itïs main focus on the german language, but there are many other features for all of you. The function Choir rendering function makes the generation of choirs even with hundreds of voices a snap. Every choir voice is generated separately with adjustable random variations in pitch, start time and sound characteristic. Using different base voices result in completely mixed choirs without any effort on your side! You can import now MIDI files into the score editor. With MIDI files containing the lyrics the song text is also imported !It is now much easier to produce intelligible vocal lines. This is achieved with an improved filter model and a new kind of rule based phoneme sequencer which adapts the phoneme transitions according to the context inside a word. CANTOR’s main purpose is to provide you with creative vocal parts for live and studio usage. All is possible - lively leadsounds, background choirs, vocoder like effects, … Due to the consequent design as a real synthesizer without using samples the main usage of CANTOR is not primarily the replacement of “human” singers but more the creation of new virtual character voices whose base sound can be influenced by the user in an extremely flexible manner. And all this is possible in realtime ! This opens up exciting possibilites for live sessions too.The human voice is the most sophisticated and versatile instrument used in musical expression. With CANTOR an exciting new era of realtime vocal synthesis begins right now! Imaging entering your lyrics in plain english and then sing” your lyrics instantly just by playing the melody on your MIDI Keyboard. Add realistic expression with realtime parameters controlling vibrato rate and depth or changing the character of the singing voice from female to male! But CANTOR even goes beyond creating realistic human” singers. Many parameters have no relation to human vocals like Metallize” which turns your virtual singer more into a singing Gong… The voice editor allows you to edit the character of your virtual singer by defining the base spectrum for vowels and consonants. For those of you ever wanting to create your own alien language the Phoneme editor gives you full access to the atoms of the vocal synthesis engine. With this editor you can define the formant structure and the noise characteristic of each phoneme used by the vocal engine, and remember that for any edits your are going to do the changes are immediately audible in realtime!
VirSyn Tera 3 Software Synthesizer
Virsyn TERA 3 is a modular software synthesizer based on many different synthesis technologies including the revolutionary Spectrum synthesis.Highlights of Version 3: Multi sampling - Each of the three main oscillators can use now samples instead of the built-in waveforms. The samples are organized in up to 16 key zones and 2 morph zones, making for a total of up to 32 sample files for each oscillator. Due to it’s high quality re-sampling algorithm, you can use a single sample for the whole tonal range!Terrain filter This new module allows for real-time morphing between two 16 pole filters selectable from a set of predefined vocal filters. Arpeggiator In addition to the high-level arpeggio functions of the built in sequencer, TERA 3 now offers a simple standard arpeggiator for each part.Stereo routing The amplifier module now has two additional stereo inputs allowing for stereo effects inside the synthesis patch. The spectrum oscillator has a new stereo output for stereophonic wavetable synthesis.Envelopes The four multi-segment envelopes in TERA can now be used in a new free” mode where each envelope can be used independently. These envelopes can be saved and loaded from special envelope presets.
VirSyn Cube 2 Virutal Synthesizer
CUBE 2 is a musical instrument and the ultimate tool for sound designers who wish to have instant and intuitive access to all principal components every imaginable sound is build from. Every sound can be decomposed in a sine spectrum representing the harmonic and inharmonic partials and a residual noise spectrum for the noise components. The spatial character of a sound can be represented by a pan spectrum. The temporal evolution of these three spectra is a very convenient way to describe every sound. CUBE 2 is built around this model and allows you to manipulate the structure of a sound with all its components in a comfortable and musical way. Resynthesis ake a sample as input and CUBE 2 analyzes it into two components: up to 512 sine tracks for the partial components and the residual spectrum for the noise components. The outstanding quality of the analyzer for a broad range of sounds avoids the typical artifacts known from time stretching/pitch shifting and granular algorithms. Spectral editing - The spectral editing windows are the heart of CUBE ïs sound manipulation and creation capabilities. They give you deep access to the sound components described before. Imagine drawing a bandpass filter or comb filter structure directly into the spectrum display ! Zoom into the spectrum to manipulate it down to a single partial. You can use Contrast” tools to enhance or reduce the frequency or amplitude modulations of the sound in selected areas of the spectrum. And all editings are immediately audible. Time warping - CUBEïs unique time warping envelope gives you control over the timeline. You can simply reverse the sound, freeze it at any position or manually move around the sound for scratching effects. Or create an arbitrary moving with up to 64 breakpoints. Morphing - The next level of sound manipulation in CUBE 2 is to take up to four sound sources and make all parameters and spectral components move inside this cube”. Take for example a flute like sound as one source and a trumpet like sound as another source. The result is a sound morphing from flute to trumpet ! The movement can be made automatically with the morphing envelopes or manually by using MIDI controllers or the mouse.Source editing Each of the four sound sources allow for another level of controlling the sound. The levels, attack and decay times, pan positions of every partial can be globally edited here on a more abstract level. You can use a global filter with arbitrary shape on this level which takes also part in the morphing process - a comb filter in Source A can for example morph into a lowpass filter in Source B.













