Allen & Heath Mixers

Posted by Pro Music World Published in Audio Interfaces, DJ Mixers, Live Mixers, Live Sound, Mixing Boards, Recording

Allen & Heath makes audio mixing consoles that meet the top 4 requirements for pleasing the most demanding engineers: great sound, high quality, ease of use, and lots of really useful features. These popular British mixers are useful for both live sound and recording applications.

Allen & Heath GL2400-32 Live Console
The dual-function Allen & Heath 32-channel GL2400-32 Live Console is loaded to the teeth with the features you need for all kinds of mixing applications. It offers 4 group, 6 aux, and LR mixes, enhanced 7×4 matrix, multi-source stereo channels, and aux-fed subs capability. Dual Functionality:When mixing front-of-house, the monitors can be set pre-insert as well as pre-EQ to prevent your house mix EQ and compression affecting the stage mix. Per channel aux switching means you can mix pre-fade with post-fade sends such as theatre radio mics and sound effects. As a monitor console, the aux masters have faders, inserts, mutes, meters and balanced XLR drive. You even get a fader controlled engineer’ wedge feed with Allen & Heath’s GL2400-32 mixer. The Groups and LR mixes are still available to create yet more sends. In monitor mode the GL2400 can provide up to 10 mixes, for example 6 wedge and 2 stereo IEM.Performance:Allen & Heath’s new mic preamp has an extended 74dB gain range with massive headroom able to deal with the widest range of signals right up to +34dBu. From a new low-noise mix amp through responsive 4-band EQ to the differential balanced +26dBu outputs, every stage has been carefully designed to ensure optimum gain structure and the best sonic performance possible.Third Fader:There are 3 master faders on the GL2400 mixing console. A configurable M fader lets you create an LR sum mono fill, an engineers monitor wedge feed, or a dedicated center or sub-bass speaker mix from Aux 6 which means you can dial in exactly what you need from each channel. L, R, and M each provide a dedicated meter, mute, AFL, and balanced XLR output.7×4 Matrix: The matrix is a big feature for corporate AV work, specialized recording and broadcast feeds, and personal monitoring. Smart auto-switching of the external inputs lets you add a common mono, stereo, or independent source to the matrix. Cross patch from the stereo channel mic breakpoints to add room ambience to your recording and IEM feeds.Dual Stereo Channels:These 2 multi-function channels provide a mic and 2 stereo line inputs each. Use the channels as mic inputs while the 4 stereos are independently routed to LR, or combine stereo sources such as backing tracks and reverbs while the mics are patched elsewhere. Or use conventional stereo channels while the second inputs provide additional returns and the mics patch into the matrix for ambience.

Allen & Heath MixWizard WZ3 14:4:2+ Mixer
The Allen & Heath MixWizard WZ3 14:4:2+ Mixer - The Allen & Heath WZ3 is a 4 audio-group mixer that’s ideal for live sound applications. You’ll appreciate the improved EQ and preamp design, individual phantom power switches, channel meters, and the 2-output matrix. 10 mono channels and 2 stereo channels offer dual functionality for front of house and monitoring, 4-band EQ, phantom power, 6 aux sends, On switch with LED, and 100mm smooth-action faders, plus direct out and inserts.Dual functionalityGRP/Aux mode switches reverse aux master section with the group and LR faders, providing up to 6 monitor sends with inserts on 100mm faders. Another under-panel switch converts the Mono control and XLR out to an engineer’s listen wedge output.Mono inputs10 mic/line channels with switchable 4-band EQ, HPF, individual phantom power, 6 auxes, ON switch with LED, and 100mm smooth action fader. A direct out and insert using all-metal TRS jacks are provided.Dual stereo channelsThe MixWizard WZ3 14:4:2 has 2 dual stereo input channels as standard. ST1/3 and ST2/4 jacks have separate gain controls and ON switch. Each stereo channel has a 4-band EQ.4 audio groupsAssigned from paired routing buttons and pan from channels. Groups access L/R busses via a pan control and on switch. Groups have XLR outputs, 3-color meters, and inserts in GRP mode.6 auxiliary sends6 auxiliaries, 1, 2 prefade (option: link to follow pre/post switch), 3-4 switchable pre/post fade (option: permanently prefade) and 5 and 6 switchable pre/post. Aux masters are rotary controls with AFL and can feed XLR outputs with inserts when the GRP/Aux reverse switches are pressed.4-Band EQ plus HPFSeparate controls for sweep and cut/boost on mid bands. HPF @ 100Hz is switchable.MatrixThe Allen & Heath WZ3 14:4:2 is supplied with a 2-output matrix on TRS jack as standard feed from groups 1 to 4 and L/R.Engineer’s toolboxHeadphone and wedge monitor controls. PFL/AFL on all sections with LED indicators. Peak and signal LED on all channels. 4-segment, 3-color LED meters on GRP/Aux. 12-segment bar meter on L & R follows the PAFL system. Channels have TRS direct outs for recording. 2-track record/monitoring/replay. Talkback with trim to all auxes, groups, and LR. Oscillator and pink noise generator are provided for line-up.PSUHigh performance internal switched-mode power supply. A backup power supply connector is provided with your MixWizard WZ3 Mixer.

Allen & Heath PA28 Mixer
The Allen & Heath PA28 Mixer gives you all the tools you need to run a stereo PA system in a straightforward plug-and-play format. You’ll quickly feel at home with a number of innovative touches based on many years of real-world experience. High-quality construction features on the PA28 Mixer include the same individual vertical circuit boards, nutted pots, and solid copper bus connections as the acclaimed ML series consoles. Experience the full, open, natural sound quality that has made Allen & Heath a respected name around the world.24 mono channels with mic (XLR) and line (TRS) inputs (line input overrides the XLR input), individual +48V phantom power switches, and new padless 2-stage preamp with smooth gain law provide pristine sound quality. Line input goes to second stage for better matching and performance. Switched 100Hz high-pass filter, insert point, 4-band EQ, 4 aux mixes, mute with LED, PFL button with LED (functions as peak indicator), plus 100mm fader on every channel.Shelving LF (60Hz), and HF (12kHz) with fixed LM (250Hz), and swept HM (300Hz - 6kHz). The fixed 250Hz control on the Allen & Heath PA28 has been carefully selected to provide reduction of muddy sounds and enhance warmth.4 stereo channels with 2 unbalanced stereo inputs on each-one RCA and one TRS jack. Independent gain controls provide source mixing in the channel strip.

Allen & Heath ZED-14 USB Mixing Console
The Allen & Heath ZED-14 USB Mixing Console has incredibly advanced features for a mixer at this level it has 13 independent sources to the mix, 10 independent outputs, 4 aux sends, a USB send & return for PC or Mac recording, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, ZED-14 is so packed full of great features that you’d think it would cost much, much more!The ZED-14 is a mixer for anyone, from entry-level to professionals, who appreciates fantastic uncolored sound, lots of headroom, a truly professional feel, and rugged build quality. It can be used for many different tasks, whether in live performance, utilizing plug-in effects via USB, live recording via USB and Cakewalk, studio recording or mixing down to produce your own 2-track recordings. Inputs One of the great things about the ZED series is the number and variety of things you can plug in. In addition to the six mono channels there are four stereo channels, each with a main stereo input on jack sockets, and with the ability to take additional stereo inputs from phono sockets or from the USB audio input, flexibility gives you control. In all, ZED-14 boasts 99 different controls on its front panel - way more than any of the competition! 6 mic/line channels are provided on ZED-14 - plenty for mics or DI boxes for a small band, duo or solo performer 4 stereo line inputs - dual inputs, both with gain and 2-band EQDuoPre Based on the proven pre-amps from the hugely successful PA series, the ZED series has new DuoPreTM pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input.EQ section ZED-14 features a responsive 3-band, swept mid frequency design with MusiQ - optimised slope (or Q factor) for equalising individual instruments. HF and LF also boast Xtra Boost, to make these frequencies more responsive. Auxiliary sends 4 aux sends are provided, of which 1&2 are prefade for foldback monitoring, and 3 & 4 post-fade for effects sends. A stereo signal can be sent from auxes via USB to computer to create 2 separate record feeds independent of the main LR mix (1&2) and or used as FX sends (3&4).USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way we have implemented this on ZED is super-flexible and super-easy!

Allen & Heath Xone:92 Fader DJ Mixer
Amazing synth capabilities from 2 VCF filters and 2 independent LFOs. 6 stereo channels (4 phono or line, 2 mono/mic or stereo return); 2 auxiliary sends selectable pre/post fader (and crossfader); MIDI output from VCF 1 2, crossfader, LFO (MIDI clock), dedicated data control, and start/stop button; innovative twin-rail VCA channel faders and high quality VCA rotary faders; plus 2 independent stereo mix outputs make it a real gigging workhorse.

_____________ More Allen & Heath Mixers and Mixing Consoles

Allen & Heath GL2800M 48-Channel Stage Monitor Console
The Allen & Heath GL2800M, is a dedicated monitor console offering an easy to use, innovative tool set for simultaneously mixing large numbers of wedges and in-ears. With the benefits of personal freedom, a tailored mix for each musician and a quiet stage, IEM (in ear monitor) monitor systems have become increasingly popular with performers and engineers alike. With its 16 mixes and true stereo IEM capability, the GL2800M is able to handle many combinations of wedge and in-ears, and even includes a built-in mic splitter. The engineer is provided with dual listen wedge/IEM monitoring as well as a host of useful tools for setting up the system.The GL2800M provides tamper proof global mono/stereo assignment of its 16 mixes (8 stereo in-ears mixes). Each stereo mix has level and pan control as well as stereo AFL signal checking for quick mixing without compromise and lets you balance every source including ambiance within the stereo image according to the preference of each performer. The GL2800M is packed with innovative features. Using the best Allen & Heath analogue technology it offers great sound and reliability with an intuitive, walk-up-and-go layout in a space saving, ruggedly built chassis. It is affordable, capable and easy to use - without compromise, and exactly right for the job.

Allen & Heath GL2800M 40-Channel Stage Monitor Console
The Allen & Heath GL2800M, is a dedicated monitor console offering an easy to use, innovative tool set for simultaneously mixing large numbers of wedges and in-ears. With the benefits of personal freedom, a tailored mix for each musician and a quiet stage, IEM (in ear monitor) monitor systems have become increasingly popular with performers and engineers alike. With its 16 mixes and true stereo IEM capability, the GL2800M is able to handle many combinations of wedge and in-ears, and even includes a built-in mic splitter. The engineer is provided with dual listen wedge/IEM monitoring as well as a host of useful tools for setting up the system.The GL2800M provides tamper-proof global mono/stereo assignment of its 16 mixes (8 stereo in-ears mixes). Each stereo mix has level and pan control as well as stereo AFL signal checking for quick mixing without compromise and lets you balance every source including ambiance within the stereo image according to the preference of each performer. The GL2800M is packed with innovative features. Using the best Allen & Heath analogue technology it offers great sound and reliability with an intuitive, walk-up-and-go layout in a space saving, ruggedly built chassis. It is affordable, capable and easy to use - without compromise, and exactly right for the job.

Allen & Heath GL2800M 32-Channel Stage Monitor Console
The Allen & Heath GL2800M, is a dedicated monitor console offering an easy to use, innovative tool set for simultaneously mixing large numbers of wedges and in-ears. With the benefits of personal freedom, a tailored mix for each musician and a quiet stage, IEM (in ear monitor) monitor systems have become increasingly popular with performers and engineers alike. With its 16 mixes and true stereo IEM capability, the GL2800M is able to handle many combinations of wedge and in-ears, and even includes a built-in mic splitter. The engineer is provided with dual listen wedge/IEM monitoring as well as a host of useful tools for setting up the system.The GL2800M provides tamperproof global mono/stereo assignment of its 16 mixes (8 stereo in-ears mixes). Each stereo mix has level and pan control as well as stereo AFL signal checking for quick mixing without compromise and lets you balance every source including ambiance within the stereo image according to the preference of each performer. The GL2800M is packed with innovative features. Using the best Allen & Heath analogue technology it offers great sound and reliability with an intuitive, walk-up-and-go layout in a space saving, ruggedly built chassis. It is affordable, capable and easy to use - without compromise, and exactly right for the job.

Allen & Heath GL2800M 24-Channel Stage Monitor Console
The Allen & Heath GL2800M, is a dedicated monitor console offering an easy to use, innovative tool set for simultaneously mixing large numbers of wedges and in-ears. With the benefits of personal freedom, a tailored mix for each musician and a quiet stage, IEM (in ear monitor) monitor systems have become increasingly popular with performers and engineers alike. With its 16 mixes and true stereo IEM capability, the GL2800M is able to handle many combinations of wedge and in-ears, and even includes a built-in mic splitter. The engineer is provided with dual listen wedge/IEM monitoring as well as a host of useful tools for setting up the system.The GL2800M provides tamperproof global mono/stereo assignment of its 16 mixes (8 stereo in-ears mixes). Each stereo mix has level and pan control as well as stereo AFL signal checking for quick mixing without compromise and lets you balance every source including ambiance within the stereo image according to the preference of each performer. The GL2800M is packed with innovative features. Using the best Allen & Heath analogue technology it offers great sound and reliability with an intuitive, walk-up-and-go layout in a space saving, ruggedly built chassis. It is affordable, capable and easy to use - without compromise, and exactly right for the job.

Allen & Heath GL2400-24 Live Console Mixer
The Allen and Heath GL2400-24 Live Console Mixer enhances PA systems with its dual-function 24-channels loaded to the teeth with features you need for all kind of live audio mixing applications. The GL2400-24 mixer offers 4 group, 6 aux, and LR mixes, enhanced 7×4 matrix, multi-source stereo channels, and aux-fed subs capability. Dual Functionality: When mixing Front-of-House, the monitors can be set pre-insert as well as pre-EQ to prevent your house mix EQ and compression affecting the stage mix. Per channel aux switching means you can mix pre-fade with post-fade sends such as theatre radio mics and sound effects. As a monitor console, the aux masters have faders, inserts, mutes, meters and balanced XLR drive. You even get a fader controlled engineer’ wedge feed. The Groups and LR mixes are still available to create yet more sends. In monitor mode the GL2400 can provide up to 10 mixes, for example 6 wedge and 2 stereo IEM.Performance: Allen & Heath’s new mic preamp has an extended 74dB gain range with massive headroom able to deal with the widest range of signals right up to +34dBu. From a new low-noise mix amp through responsive 4-band EQ to the differential balanced +26dBu outputs, every stage has been carefully designed to ensure optimum gain structure and the best sonic performance possible.Third Fader: There are 3 master faders on the GL2400 Mixer. A configurable M fader lets you create an LR sum mono fill, an engineers monitor wedge feed, or a dedicated center or sub-bass speaker mix from Aux 6 which means you can dial in exactly what you need from each channel. L, R ,and M each provide a dedicated meter, mute, AFL, and balanced XLR output.7×4 Matrix: The matrix is a big feature for corporate AV work, specialized recording and broadcast feeds, and personal monitoring. Smart auto-switching of the external inputs lets you add a common mono, stereo, or independent sources to the matrix. Cross patch from the stereo channel mic breakpoints add room ambiance to your recording and IEM feeds.Dual Stereo Channels: These 2 multi-function channels provide a mic and 2 stereo line inputs each. Use the channels on the Live Console Mixer as mic inputs while the 4 stereos are independently routed to LR, or combine stereo sources such as backing tracks and reverbs while the mics are patched elsewhere. Or use conventional stereo channels while the second inputs provide additional returns and the mics patch into the matrix for ambiance.

Allen & Heath GL2400-16 Live Console
This dual-function 16-channel live console is loaded to the teeth with the features you need for all kind of mixing applications. It offers 4 group, 6 aux, and LR mixes, enhanced 7×4 matrix, multi-source stereo channels, and aux-fed subs capability. Dual Functionality: When mixing front-of-house, the monitors can be set pre-insert as well as pre-EQ to prevent your house mix EQ and compression affecting the stage mix. Per channel aux switching means you can mix pre-fade with post-fade sends such as theatre radio mics and sound effects. As a monitor console, the aux masters have faders, inserts, mutes, meters and balanced XLR drive. You even get a fader controlled engineer’ wedge feed. The Groups and LR mixes are still available to create yet more sends. In monitor mode the GL2400 can provide up to 10 mixes, for example 6 wedge and 2 stereo IEM.Performance: Allen & Heath’s new mic preamp has an extended 74dB gain range with massive headroom able to deal with the widest range of signals right up to +34dBu. From a new low-noise mix amp through responsive 4-band EQ to the differential balanced +26dBu outputs, every stage has been carefully designed to ensure optimum gain structure and the best sonic performance possible.Third Fader: There are 3 master faders on the GL2400. A configurable M fader lets you create an LR sum mono fill, an engineer’s monitor wedge feed, or a dedicated center or sub-bass speaker mix from Aux 6 which means you can dial in exactly what you need from each channel. L, R and M each provide a dedicated meter, mute, AFL, and balanced XLR output.7×4 Matrix: The matrix is a big feature for corporate AV work, specialized recording and broadcast feeds, and personal monitoring. Smart auto-switching of the external inputs lets you add a common mono, stereo, or independent sources to the matrix. Cross patch from the stereo channel mic breakpoints to add room ambience to your recording and IEM feeds.Dual Stereo Channels: These 2 multi-function channels provide a mic and 2 stereo line inputs each. Use the channels as mic inputs while the 4 stereos are independently routed to LR, or combine stereo sources such as backing tracks and reverbs while the mics are patched elsewhere. Or use conventional stereo channels while the second inputs provide additional returns and the mics patch into the matrix for ambience.

Allen & Heath WZ3 12M Mix Wizard Monitor Mixer
Allen & Heath’s WZ3 12M is an easy-to-use compact mixer for on-stage monitoring. The growth of personal headphone monitoring has led to a huge increase in demand for mixers with multiple stereo mix outputs. Wizard Monitor has been developed to embrace modern on-stage mixing, and joins the GL2800M in Allen & Heath’s successful monitor desk range. The mixer allows musicians to easily control their own mixes on stage, while the mixer will also be at home in rehearsal rooms and studios.6 stereo mixes or 12 mono wedge outputs - or a combination of mono and stereo - are fed from 16 mono mic/line inputs. The mixer features the crystal-clear WZ3 preamplifier, passive microphone splitter and 4-four band EQ, with all mix masters on faders and color-coded in pairs for easy identification.

Allen & Heath MixWizard3 16:2 Mixer
The Allen & Heath MixWizard3 16:2 Mixer is the third generation of this popular series known for its fantastic sound and functionality. MixWizard3 has a new preamp design, tailored EQ frequencies, an extra mono output (on a fader that can be switched to provide a sub-bass mix from channel aux 6), and several routing changes to make the engineer’s life easier. Other new features include new styling, an extra lamp socket, new Sys-Link options, and backup power supply.Mono Inputs 16 mic/line channels, each with 4-band EQ, HPF, individual phantom power, 6 auxes, mute switch, signal and peak indicator LEDs and a 100mm smooth-action fader. A configurable direct out and insert using all-metal TRS jacks are provided.Stereo Mix with A/B Out Main output controlled by 100mm faders with 12-segment 3-color metering with insert. A-B output for additional L&R stereo output selectable pre or post L&R faders. Unique underpanel mode switch to configure A-B as a local monitor output for additional stereo monitoring.Dedicated Mono Output Mono fader feeds mono XLR output. Source select L+R sum or aux 6 mix for creating separate mono/C or aux fed sub mix.6 Aux Sends 6 auxiliaries: 1-2 prefade (option: link to follow pre/post switch), 3-4 switchable pre/post fade (option: permanently prefade) and 5- and 6 post fade (option to follow pre/post switch). Internal option to configure stereo channel L signal to odd auxes and R signal to even auxes. Aux masters are rotary controls with TRS outputs. The aux busses can be monitored in mono or related stereo pairs.4-band EQ plus HPF Mono channels have separate controls for sweep and cut/boost on mid bands. HPF @ 100Hz is switchable.2 Stereo Returns [TRS] line inputs, routed via level controls to L&R mix. ST1 can feed aux 1-4. Note: the internal FX returns to ST1. The ST1 input allows external FX to be mixed in.Onboard Digital FX 32 FX programs with external MIDI editing/control. Can be configured in single mode (16 programs fed from aux 5) or Dual mode (8 programs fed from aux 5, plus another 8 programs fed from aux 6). FX are returned via ST1 to the mix, aux 1-4. The effects can be muted using a footswitch. WZ FX editor software is available from the A&H website.Engineer’s Toolbox Headphone output and local monitor possible, with separate level controls. Red LED indicator when PFL on input channels is selected. PFL signal overrides the selected monitor source and L&R metering. A-B output can be configured as local stereo monitor. Wizard FX Editor software Enables sounds to be created and stored above and beyond the capability of the basic mixer. Runs under Windows 95, 98, ME, 2000, and XP. Intuitive Graphical User interface with knobs and buttons to select parameters in real time.

Allen & Heath PA 20-CP Powered Mixer
All the tools you need to run a stereo PA system in a straightforward plug-and-play format. You’ll quickly feel at home with a number of innovative touches based on many years of real-world experience. High-quality construction includes the same individual vertical circuit boards, nutted pots, and solid copper bus connections as the acclaimed ML series consoles. Experience the full, open, natural sound quality that has made Allen & Heath a respected name around the world.2 x 500W RMS peak power professional class, fan-cooled, circuit-protected AB power amplifiers built in with same output into 4 or 8 ohms. 16 mono channels with mic (XLR) and line (TRS) inputs (line input overrides the XLR input), individual +48V phantom power switches, and new padless 2-stage preamp with smooth gain law provide pristing sound quality. Line input goes to second stage for better matching and performance. Switched 100Hz high pass filter, insert point, 4-band EQ, 4 aux mixes, mute with LED, PFL button with LED (functions as peak indicator), plus 100mm fader on every channel.Shelving LF (60Hz), and HF (12kHz) with fixed LM (250Hz), and swept HM (300Hz - 6kHz). The fixed 250Hz control has been carefully selected to provide reduction of muddy sounds and enhance warmth.2 stereo channels with 2 unbalanced stereo inputs on each-one RCA and one TRS jack. Independent gain controls provide source mixing in the channel strip. The top inputs (RCA) can be switched direct to L&R instead of the channel strip providing extra returns. Each stereo channel features 2-band shelving EQ, 4 aux mixes, stereo balance, mute with LED, PFL with LED, and 100mm fader as mono channels.Auxiliary sends from all channels include 2 pre-fade for foldback mixes - these have 100mm fader masters, mute switch with LED, AFL with LED, and TRS outputs (which can be routed internally to output section). One post-fade aux mix for effects which feeds the internal effects and has a TRS jack output for external effects. One post-fade aux mix to a TRS jack output is provided for external effects or special feeds.Main stereo mix output has 100mm fader control and mute with LED plus TRS jack outputs, mono sum output with level control and switch for subwoofer mode to TRS jack. Record output (RCA) analog and SPDIF switchable pre/post fader, plus twin 12-segment LED bar meters that show program (or PFL/AFL). Insert points on TRS jack for external processing as well as output EQ and routing to internal amplifiers/external systems are provided.A 4-band semi-parametric EQ enhances the output section. This affects the TRS slave outputs and the internal constant power amplifiers, offering more control than graphic equalizers for precise management of speakers, especially foldback/monitors. Source selector allows output EQ section to be used on left/ right, L&R sum/foldback 1, or foldback1/foldback 2.16-program digital effects processor provides reverbs, delays, chorus, and others, including combinations.

Allen & Heath PA 20 Mixer
All the tools you need to run a stereo PA system in a straightforward plug-and-play format. You’ll quickly feel at home with a number of innovative touches based on many years of real-world experience. High-quality construction includes the same individual vertical circuit boards, nutted pots, and solid copper bus connections as the acclaimed ML series consoles. Experience the full, open, natural sound quality that has made Allen & Heath a respected name around the world.16 mono channels with mic (XLR) and line (TRS) inputs (line input overrides the XLR input), individual +48V phantom power switches, and new padless 2-stage preamp with smooth gain law provide pristing sound quality. Line input goes to second stage for better matching and performance. Switched 100Hz high pass filter, insert point, 4-band EQ, 4 aux mixes, mute with LED, PFL button with LED (functions as peak indicator), plus 100mm fader on every channel.Shelving LF (60Hz), and HF (12kHz) with fixed LM (250Hz), and swept HM (300Hz - 6kHz). The fixed 250Hz control has been carefully selected to provide reduction of muddy sounds and enhance warmth.2 stereo channels with 2 unbalanced stereo inputs on each-one RCA and one TRS jack. Independent gain controls provide source mixing in the channel strip. The top inputs (RCA) can be switched direct to L&R instead of the channel strip providing extra returns. Each stereo channel features 2-band shelving EQ, 4 aux mixes, stereo balance, mute with LED, PFL with LED, and 100mm fader as mono channels.Auxiliary sends from all channels include 2 pre-fade for foldback mixes - these have 100mm fader masters, mute switch with LED, AFL with LED, and TRS outputs (which can be routed internally to output section). One post-fade aux mix for effects which feeds the internal effects and has a TRS jack output for external effects. One post-fade aux mix to a TRS jack output is provided for external effects or special feeds.Main stereo mix output has 100mm fader control and mute with LED plus TRS jack outputs, mono sum output with level control and switch for subwoofer mode to TRS jack. Record output (RCA) analog and SPDIF switchable pre/post fader, plus twin 12-segment LED bar meters that show program (or PFL/AFL). Insert points on TRS jack for external processing as well as output EQ and routing to internal amplifiers/external systems are provided.A 4-band semi-parametric EQ enhances the output section.

Allen & Heath PA 12-CP Powered Mixer
The Allen & Heath PA12-CP Powered Mixer has all the tools you need to run a stereo PA system in a straightforward plug-and-play format. You’ll quickly feel at home with a number of innovative touches based on many years of real-world experience. High-quality construction includes the same individual vertical circuit boards, nutted pots, and solid copper bus connections as the acclaimed ML series mixing consoles. Experience the full, open, natural sound quality that has made Allen & Heath a respected name around the world.2×500W RMS peak power professional class, fan-cooled, circuit-protected AB power amplifiers with the same output into 4 or 8 ohms. 8 mono channels with mic (XLR) and line (TRS) inputs (line input overrides the XLR input), individual +48V phantom power switches, and new, padless 2-stage preamps with smooth gain law provide pristine sound quality. Line input goes to second stage for better matching and performance. Switched 100Hz high-pass filter, insert point, 4-band EQ, 4 aux mixes, mute with LED, PFL button with LED (functions as peak indicator), plus 100mm fader on every channel.Shelving LF (60Hz), and HF (12kHz) with fixed LM (250Hz), and swept HM (300Hz - 6kHz). The fixed 250Hz control has been carefully selected to provide reduction of muddy sounds and enhance warmth.2 stereo channels with 2 unbalanced stereo inputs on each one RCA and one TRS jack. Independent gain controls provide source mixing in the channel strip. The top inputs (RCA) can be switched direct to L&R instead of the channel strip providing extra returns. Each stereo channel features 2-band shelving EQ, 4 aux mixes, stereo balance, mute with LED, PFL with LED, and 100mm fader as mono channels.Auxiliary sends from all channels include 2 pre-fade for foldback mixes - these have 100mm master faders, mute switch with LED, AFL with LED, and TRS outputs (which can be routed internally to output section).

Allen & Heath PA 12 Mixer
All the tools you need to run a stereo PA system in a straightforward plug-and-play format. You’ll quickly feel at home with a number of innovative touches based on many years of real-world experience. High-quality construction includes the same individual vertical circuit boards, nutted pots, and solid copper bus connections as the acclaimed ML series consoles. Experience the full, open, natural sound quality that has made Allen & Heath a respected name around the world.8 mono channels with mic (XLR) and line (TRS) inputs (line input overrides the XLR input), individual +48V phantom power switches, and new padless 2-stage preamp with smooth gain law provide pristing sound quality. Line input goes to second stage for better matching and performance. Switched 100Hz high pass filter, insert point, 4-band EQ, 4 aux mixes, mute with LED, PFL button with LED (functions as peak indicator), plus 100mm fader on every channel.Shelving LF (60Hz), and HF (12kHz) with fixed LM (250Hz), and swept HM (300Hz - 6kHz). The fixed 250Hz control has been carefully selected to provide reduction of muddy sounds and enhance warmth.2 stereo channels with 2 unbalanced stereo inputs on each-one RCA and one TRS jack. Independent gain controls provide source mixing in the channel strip. The top inputs (RCA) can be switched direct to L&R instead of the channel strip providing extra returns. Each stereo channel features 2-band shelving EQ, 4 aux mixes, stereo balance, mute with LED, PFL with LED, and 100mm fader as mono channels.Auxiliary sends from all channels include 2 pre-fade for foldback mixes - these have 100mm fader masters, mute switch with LED, AFL with LED, and TRS outputs (which can be routed internally to output section). One post-fade aux mix for effects which feeds the internal effects and has a TRS jack output for external effects. One post-fade aux mix to a TRS jack output is provided for external effects or special feeds.Main stereo mix output has 100mm fader control and mute with LED plus TRS jack outputs, mono sum output with level control and switch for subwoofer mode to TRS jack. Record output (RCA) analog and SPDIF switchable pre/post fader, plus twin 12-segment LED bar meters that show program (or PFL/AFL). Insert points on TRS jack for external processing as well as output EQ and routing to internal amplifiers/external systems are provided.A 4-band semi-parametric EQ enhances the output section. This affects the TRS slave outputs and the internal constant power amplifiers, offering more control than graphic equalizers for precise management of speakers, especially foldback/monitors. Source selector allows output EQ section to be used on left/ right, L&R sum/foldback 1, or foldback1/foldback 2.16-program digital effects processor provides reverbs, delays, chorus, and others, including combinations. This FX module takes its feed from the post-fade FX aux on the mono and stereo channels.